Check out my author page at Crossroad Press…

As things stand right now, I have 9 titles published, 8 of them with Crossroad Press.  The exception is my novella, Moon Over Ruin, which I self-published on Amazon last year.  Crossroad Press sets up its author pages in a rather cool way.  By choosing under Options, you can pick the source of the ebook:  Amazon, Apple, Kobo, BN, or Smashwords.  Whatever suits your fancy, all tidy in one place.

Here it is, my Author Page at Crossroad Press

Thanks for reading!

Lisa

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Crossroad Press, my new publisher…

As some of you may know, my prior publisher, DarkFuse, shut down last year.  I will always be grateful to them for taking me on, publishing my debut novel, as well as several other novels and novellas while I was with them.

Crossroad Press picked me up last summer.  Since then, they have re-released all my prior DarkFuse titles, as well as released two new novels that I’d completed for DarkFuse, but which didn’t get released before the shutdown.  They’ve even published an audiobook of THE GENESIS CODE!

I just wanted to share some Crossroad Press links.  I have an author page there, with all my books listed.  They have their own store–plus you can purchase the titles at Amazon, Smashwords, Barnes & Noble, and more.

As always, thanks for reading!

The Crossroad Press Store

My Crossroad Press Author Page

Greetings, 2018!

Well, here it is.  2018.  I always try to imagine what every new year will hold.  And let’s just say, I’m no oracle!  2017 had its surprises–good, bad, and in between.

On the publishing front, I kicked off 2017 by self-pubbing a novella that I’d originally written at a particular market’s invitation.  They declined the final product, so I took the bull by the horns and published it last New Year’s Day.  That’s my little thriller, Moon Over Ruin.  It’s set (mainly) in an abandoned resort we ran across on a trip to Canada a couple of years ago that got caught in my mind.

Then, around the beginning of summer, my long-time publisher, DarkFuse, closed down.  They reverted rights to me, but this of course meant my titles went off-market.  I had 6 titles with them at the time, and 2 completed manuscripts that had not yet been published.  I was very fortunate to join up with Crossroad Press soon afterward.  So far, they’ve republished my 4 novel-length works (with new cover art) and one of my previously unpublished titles (Down the Brink).  And, they published an audiobook of The Genesis Code!  The 2 novellas (Ash and Bone and Skinshift) and the other previously unpublished work (Incidental Findings) are in the works and will be out soon.  Meanwhile, I’m in the second draft of a novel-in-progress that concerns a drought of historical proportions and a young family’s desperate escape from a mega-fire into…even worse things.

This has been a big year for my artwork, too.  I picked up some cheap watercolors a couple of years ago and started dabbling around (I hadn’t painted/drawn in some years).  One thing led to another, and I also got involved with colored pencils about a year ago.  My skills have noticeably progressed, and I’ve posted work on RedBubble and Pixels.  Made a couple of small sales, too.  I also drew a blue and gold macaw with colored pencils and donated the image to Zazu’s House Parrot Sanctuary for use on their Pixels site.  I hope it’s sold a lot for them!

On the travel front, I’ve had some mighty interesting/contrasting trips!  In the summer, we returned to Canada, and took a flight to the icefields in Kluane National Park.  We actually landed on a huge icefield (see the picture below) in a Helio Courier.  Awesome!  Then in November, we visited Death Valley National Park, parts of which are well below sea level.  So from high-altitude snow to low-altitude desert, all in the same year.  Not sure how to top that!

So, a big thank you to my readers and those who have purchased my art, and to everyone reading this, best wishes for 2018!

Greetings 2018

The Making of: BLOCKBUSTER

BLOCKBUSTER:  THE FUTURE OF PATHOGENS?*

Lots of things scare me, some more than others.  While this can be mighty inconvenient in daily life, it does give me plenty of writing ideas.  See?  There’s a silver lining in just about anything if you look hard enough.

Several of my biggest fears play starring roles in my BigPharma thriller, BLOCKBUSTER.  For one thing, it scares the bejeepers out of me that some very nasty pathogenic bacteria have become resistant to our arsenal of antibiotics, and that more will likely follow.  So, what if a bacteria got loose that was readily transmitted and extremely deadly—and was resistant to all available antibiotics?  Well, that’s part of what happens in BLOCKBUSTER.  The idea scares me so much that as I was writing the book, if I happened to feel a simple itch on my toe, for example, a part of me would begin to panic because of what happens in the novel.  Can you imagine how frightening it would be if something like that started spreading, and no existing antibiotic could fight it?  Talk about being fresh out of bullets.

Just so you know, I actually completed the manuscript long before the recent Ebola crisis that made the news a couple of years ago.  Though a virus, Ebola shares some characteristics with the bacterial disease(s) in BLOCKBUSTER, in that there is no particular cure, and that it is incredibly vicious and deadly.  However, Ebola is far less communicable than the diseases in BLOCKBUSTER, and because it’s a virus, antibiotics aren’t helpful anyway (except perhaps as prevention for secondary bacterial infections).  When I “created” the diseases in BLOCKBUSTER, I deliberately combined the pathology of MRSA (the flesh-eating bacteria) with the terrible internal ravages of Ebola (and some more grisly features for good measure).  I find it hard to imagine a more terrifying communicable disease.

On another level, I’m scared of disease in general, of being ill and in a hospital, under treatment, and fearing for my life.  I’m sure most people are.  In BLOCKBUSTER, that fear is magnified by the strict quarantine procedures necessitated by the nature of the disease.  What would it be like to be gravely ill and in a quarantine chamber—with no human contact whatsoever—just when you’re at your most vulnerable and frightened?  Unfortunately, that very thing plays out in an Ebola outbreak.  The disease itself is horrific enough, but to be denied even the slightest bit of human comfort is unimaginably heartbreaking—though necessary.

As some of my readers may know, I edited a weekly email newsletter for biotech attorneys, the BioBlurb, through much of my time in law school.  I’d gather stories from the week centered on the legal and ethical issues of various biotech developments—and I’d insert my own snarky little comments that my readers really enjoyed.  On one level, it was fun to do and I learned a lot about what was going on in the biotech world.  On another level, it provided all manner of novel fodder to my twisted little brain.  But alas, in law school, there was little time for anything but…law school.  So all those ideas fermented in the back of my head.  And now I get to reap the benefits of all that fermentation.  BLOCKBUSTER didn’t stem from any one particular story, but from a sort of gestalt of the stories, together with a “what if” question about a particular form of corruption.

Another thing that shaped BLOCKBUSTER is an annoying bit of reality:  it takes a long, long time to develop a new drug and bring it to market.  There are early trials, false starts, human trials (if you even get that far), FDA approvals, and all the activities needed to actually produce and distribute the eventual drug.  If I’d adhered to that reality in the book, readers would have passed out from boredom by page 4.  I had to do something about this!  So, I decided to set it 10 years in the future, and “create” a very lovely and enviable piece of lab equipment that fast-tracks the drug development process, and even eliminates the need for human trials—the fabulous Pathosym.  Such equipment isn’t totally without a basis in reality, however.  There are prototype testing devices “on a chip” for certain things.  I just took the concept a whole lot further.  And this is why writing fiction is so, well, empowering.

And because I’d set the story 10 years out, I couldn’t just slap a fancy piece of equipment in the lab and stop there.  I needed to envision future versions of normal, everyday electronics that we take for granted.  Most such items in the book are either on their way or are based in some part on reality.  For example, wristwatch computers are becoming a reality, or at least early versions of them.  I just imagined something more mature and put it in the book—the PortiComm.  These things had to feel like fairly natural extensions of current devices that might be real 10 years out.  They were meant more as part of the environment, the “set” as it were, rather than stars of the show, like the lab equipment.

BLOCKBUSTER was a fun book to write:  lots of biotech, high-tech, skullduggery, greed, and things going horribly awry.  I hope you enjoy it…and that you have lots of antibacterial scrub handy.  You’re going to need it.

Thanks for reading!

Lisa von Biela

*Originally published in DarkFuse Magazine when BLOCKBUSTER was first released.

Blockbuster on Amazon

Blockbuster on Smashwords

Status of my backlist–gone now, returning soon. Stay tuned!

Due to recent changes in direction at my prior publisher (DarkFuse), rights to my existing titles have reverted to me and those titles are no longer on the market (at Amazon) as of today.

However…

I am thrilled to announce that Crossroad Press will be republishing my existing titles and handling my new work!  Stay tuned for more details as they become available.  Meanwhile, if you need a von Biela fix, my novella, MOON OVER RUIN, is still available on Amazon in ebook and dead tree forms (wasn’t published through DarkFuse).

Thank you and have a great weekend, all.

Pleasant dreams…or not!

Part 1 of my podcast with SWRT is up now!

Alida Winternheimer and Company at SWRT (Story Works Round Table) graciously invited me to discuss my work, dark fiction, and the craft of writing with them.  And lo and behold, you get to hear my voice and see my smiling mug in this podcast!  (I really do exist.)  Part 1: